What England means to me, part II

(The following is the second half of an essay I wrote for What England Reads to Me. For Part I, see previous post.)

And yet...
Once I got settled, the pull of England, the occasional tugs homeward, became more frequent. I found myself listening to more Vaughan Williams, more Britten and Holst than ever before. And I rediscovered meat puds and toad in the hole; even beans on toast made it back on the menu. I started to garden. To garden! (The world may think all Englishmen are itching to leap out of the closet but I think we're more prone to come out of the woodshed in a pair of wellies.)
Anyhow, this Englishness grew. And now it knows no bounds. I even find myself riding my bike and singing along to the chorus of The English are Best. I'm glued to the telly whenever the most insipid period drama is aired. Just as long as it's English. On the box recently, I heard someone say, "Oooh you are awful...but I like you!" And, quite suddenly, marvelous Dick Emery dug a smiley faced crease in my memory.

It gets worse.
I can't hear Jerusalem without getting a wet glob in the eye. And Churchill's wartime words embarrass me with a feeling of pride-or is it that odd, misunderstood emotion expats label as misplaced patriotism? I've started re-reading Mapp and Lucia, Saki, Somerset Maugham; and rediscovering the glories of Golding, Durrell, Fowles, and Bainbridge, to name but a few.
Time for tea? I found local shops that import PG Tips, even Typhoo! Assorted British sauces, pickles, sweets, and sundries. Gentleman's relish? Piccalilli. You can get it all here. And I do.
Somehow, America has become a receptive, dimensional canvas cleverly shaped liked that familiar little spec in the North Atlantic. So I happily dip into a paint box labeled Albion and splogged on the oils in big thick swirls, brushing out the unpleasant bits from the green and pleasant. Yet, for all that, my picture of England isn't as bland as one might expect. The colours ring true. They are as vibrant and lush as the music of England's countryside, as dense as a sherry-soaked fruitcake, as majestic as our literature, as lyrical as our poetry, and as magical as a kid's memory of a Christmas panto with Arthur Askey.
England means more to me now than it ever would have if I had stayed. Moving back, I think I might lose my exuberant imagining of the place I once called home. I would take it all for granted again. And long for other landscapes I would rather not imagine, let alone paint, let alone call home.